Falsehood

from After Hours Editions

“Emily Brandt’s Falsehood takes the reader on some enlightening turns in a suburban landscape, where the dilemma of binary constructs frame the journey, with grit in the light of surreal time, but every gesture sings true. At times, bold and risky, the poems defy anything codified or one-dimensional, always requiring the reader’s full engagement. An echo of contact—mind and body—resounds, and the truth in language lives after encounter. Though many-sided, each poem is always now.”

—Yusef Komunyakaa, author of The Emperor of Water Clocks


“We move through so much of life without a witness, I want Emily Brandt to be mine. Falsehood is a collection of everyday interactions and not normal situations that the world likes to call normal. And just when I thought no one was paying attention, here comes Brandt, she’s been absorbing and collecting the unacceptable norms built by the patriarchy all along. The result is Falsehood, a fierce translation and actualization of so many moments we assumed we were alone with. Brandt’s poetry is like a feminist sleeper cell, easing us out of isolation for a laugh before continuing our lifetime sentence of talk therapy and EMDR. Thank the goddess and the witness!”

—Sini Anderson, Director of The Punk Singer

Chapbooks

Sleeptalk Or Not At All

Horse Less Press

2015

ManWorld

dancing girl press

2014

Behind Teeth

Recreation League

2014

Anthologies

“Twin Freaks: Being Both Victim and Protector”

The Weird Sister Collection

The Feminist Press, 2024

excerpts from “The Harbor”

Prose Poetry: An Introduction

Princeton University Press, 2020

“Ash," "Cork," "Petroleum," "Kapok" & "Silk"

Inheriting the War

W. W. Norton, 2017

“Experiments with Voice Encoder" 

Brooklyn Poets Anthology 

Brooklyn Arts Press, 2017

“Faucet”

The Enpipe Line 

Creekstone Press, 2012